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dc.contributor.editorMellamphy, Dan
dc.contributor.editorBiswas Mellamphy, Nandita
dc.date.accessioned2021-02-10T12:58:18Z
dc.date.issued2016
dc.date.submitted2019-03-26 23:55
dc.date.submitted2020-01-23 14:09:07
dc.date.submitted2020-04-01T10:40:44Z
dc.identifier1004618
dc.identifierOCN: 1048171100
dc.identifierhttp://library.oapen.org/handle/20.500.12657/25477
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/27907
dc.description.abstractCan Nietzsche be considered a thinker of media and mediation, as the German media theorist Friedrich Kittler declared in his influential book Gramophone, Film, Typewriter? Nietzsche was a truly transdisciplinary thinker, one who never fit into his own nineteenth-century surroundings and who recognized himself as a “herald and precursor” of the future, of our globally-reticulated digital present. Perhaps not since Kittler has there been a study — let alone an anthology — that re-assesses and re-evaluates Nietzsche’s thought in light of the technically mediated and machinic conditions of the human in the age of digital networks.
dc.languageEnglish
dc.rightsopen access
dc.subject.othermedia studies
dc.subject.othercybernetics
dc.subject.othernetworks
dc.subject.otherphilosophy
dc.subject.othertechnology
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.titleThe Digital Dionysus: Nietzsche and the Network-Centric Condition
dc.typebook
oapen.identifier.doi10.21983/P3.0149.1.00
oapen.relation.isPublishedBy12970da4-0116-4486-b8be-fc9756703ab1
oapen.relation.isbn9780692270790
oapen.collectionScholarLed
oapen.pages286
oapen.place.publicationBrooklyn, NY


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