Eric Rohmer's Film Theory (1948-1953)
dc.contributor.author | Grosoli, Marco | |
dc.date.accessioned | 2022-02-25T14:52:16Z | |
dc.date.available | 2022-02-25T14:52:16Z | |
dc.date.issued | 2018 | |
dc.date.submitted | 2018-09-21 23:55 | |
dc.date.submitted | 2019-12-10 14:46:32 | |
dc.date.submitted | 2020-04-01T12:22:46Z | |
dc.identifier | 1001514 | |
dc.identifier | OCN: 1041854170 | |
dc.identifier | http://library.oapen.org/handle/20.500.12657/28445 | |
dc.identifier.uri | https://directory.doabooks.org/handle/20.500.12854/25922.2 | |
dc.description.abstract | This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory. | en_US |
dc.language | English | en_US |
dc.rights | open access | |
dc.subject.classification | bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism | en_US |
dc.subject.other | Rohmer | en_US |
dc.subject.other | auteurs | en_US |
dc.subject.other | Sartre | en_US |
dc.subject.other | Kant | en_US |
dc.subject.other | criticism | en_US |
dc.title | Eric Rohmer's Film Theory (1948-1953) | en_US |
dc.type | book | |
oapen.identifier.doi | 10.5117/9789462985803 | en_US |
oapen.relation.isPublishedBy | de2ecbe7-1037-4e96-8c3a-5a842d921e04 | en_US |
oapen.relation.isbn | 9789462985803; 9789048537037 | en_US |
oapen.peerreview | Double blind | |
peerreview.review.decision | Yes | |
peerreview.review.type | Full text | |
peerreview.anonymity | Double-anonymised | |
peerreview.reviewer.type | External peer reviewer | |
peerreview.review.stage | Pre-publication | |
peerreview.open.review | No | |
peerreview.publish.responsibility | Publisher | |
peerreview.id | 018fba68-c4ac-4010-89c6-ff4f0dbcf579 | |
dc.redirect | 1005711 | |
peerreview.title | Double blind |
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