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dc.contributor.authorGrosoli, Marco
dc.date.accessioned2022-02-25T14:52:16Z
dc.date.available2022-02-25T14:52:16Z
dc.date.issued2018
dc.date.submitted2018-09-21 23:55
dc.date.submitted2019-12-10 14:46:32
dc.date.submitted2020-04-01T12:22:46Z
dc.identifier1001514
dc.identifierOCN: 1041854170
dc.identifierhttp://library.oapen.org/handle/20.500.12657/28445
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/25922.2
dc.description.abstractThis book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory.en_US
dc.languageEnglishen_US
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticismen_US
dc.subject.otherRohmeren_US
dc.subject.otherauteursen_US
dc.subject.otherSartreen_US
dc.subject.otherKanten_US
dc.subject.othercriticismen_US
dc.titleEric Rohmer's Film Theory (1948-1953)en_US
dc.typebook
oapen.identifier.doi10.5117/9789462985803en_US
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04en_US
oapen.relation.isbn9789462985803; 9789048537037en_US
oapen.peerreviewDouble blind
peerreview.review.decisionYes
peerreview.review.typeFull text
peerreview.anonymityDouble-anonymised
peerreview.reviewer.typeExternal peer reviewer
peerreview.review.stagePre-publication
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.id018fba68-c4ac-4010-89c6-ff4f0dbcf579
dc.redirect1005711
peerreview.titleDouble blind


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