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dc.contributor.authorTrösch, Jodok
dc.date.accessioned2023-11-17T10:17:07Z
dc.date.available2023-11-17T10:17:07Z
dc.date.issued2023
dc.date.submitted2023-10-20T15:24:53Z
dc.identifierONIX_20231020_9783111001692_10
dc.identifierOCN: 1403550679
dc.identifier2748-5447
dc.identifierhttps://library.oapen.org/handle/20.500.12657/76903
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/122365
dc.description.abstractThis book develops a theory of wild translation. It describes literary strategies that not only serve to translate content but also produce new poetic texts out of foreign linguistic material. Analyses of Johann Fischart’s Geschichtklitterung (1575) and Arno Schmidt’s Zettel’s Traum (1970) examine the function and aesthetic implications of this technique and how it is poetologically negotiated in the texts themselves.
dc.languageGerman
dc.relation.ispartofseriesTheorie der Prosa
dc.rightsopen access
dc.subject.otherJohann Fischart
dc.subject.otherArno Schmidt
dc.subject.othertranslation theory
dc.subject.othersemiotics
dc.subject.othermultilingualism
dc.titleWildes Übersetzen
dc.title.alternativeZu Theorie und Geschichte eines literarischen Verfahrens bei Johann Fischart und Arno Schmidt
dc.typebook
oapen.identifier.doi10.1515/9783111001692
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedBy4eb87e9c-627d-481c-8711-81a616d737d3
oapen.relation.isbn9783111001692
oapen.relation.isbn9783110998597
oapen.relation.isbn9783111001777
oapen.collectionSwiss National Science Foundation (SNF)
oapen.imprintDe Gruyter
oapen.pages494
oapen.place.publicationBerlin/Boston
oapen.grant.number[...]
dc.relationisFundedBy4eb87e9c-627d-481c-8711-81a616d737d3
dc.abstractotherlanguageThis book develops a theory of wild translation. It describes literary strategies that not only serve to translate content but also produce new poetic texts out of foreign linguistic material. Analyses of Johann Fischart’s Geschichtklitterung (1575) and Arno Schmidt’s Zettel’s Traum (1970) examine the function and aesthetic implications of this technique and how it is poetologically negotiated in the texts themselves.


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