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dc.contributor.authorPrak, Maarten
dc.contributor.authorRutten, Bart
dc.date.accessioned2023-11-17T08:47:08Z
dc.date.available2023-11-17T08:47:08Z
dc.date.issued2023
dc.date.submitted2023-10-12T13:14:03Z
dc.identifierONIX_20231012_9789048560110_14
dc.identifierhttps://library.oapen.org/handle/20.500.12657/76688
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/121840
dc.description.abstractOver the last forty years, ‘the world’ has entered ‘the museum’. Collections and presentations that were supposed to be self-evident had to be reconsidered. This chapter demonstrates that two more or less simultaneous influences shaped this process in Dutch museums. On the one hand, many Dutch museums were transformed from institutions of the local or national government into independent charities and forced to take greater responsibility for their own finances. On the other hand, the social exclusivity of the collections and presentations (dominated by white males) was questioned. The article describes how museums dealt with these challenges and their sometimes contradictory implications.
dc.languageDutch
dc.rightsopen access
dc.subject.otherdiversity
dc.subject.othermuseums
dc.subject.otherheritage
dc.subject.otherinnovation
dc.titleChapter Musea voor een betere wereld
dc.typechapter
oapen.identifier.doi10.5117/9789048560110_prak
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04
oapen.relation.isPartOfBookTransities in kunst, cultuur en politiek = Transitions in Art, Culture, and Politics
oapen.relation.isFundedByb586072e-2e5d-469f-8332-217c0beb5b08
oapen.relation.isFundedBy4d864437-7722-4c66-b80f-140a98d4bca9
oapen.relation.isbn9789048560110
oapen.relation.isbn9789048560127
oapen.pages10
oapen.place.publicationAmsterdam
oapen.grant.number[...]
oapen.grant.number[...]
dc.relationisFundedByb586072e-2e5d-469f-8332-217c0beb5b08
dc.relationisFundedBy4d864437-7722-4c66-b80f-140a98d4bca9
dc.abstractotherlanguageOver the last forty years, ‘the world’ has entered ‘the museum’. Collections and presentations that were supposed to be self-evident had to be reconsidered. This chapter demonstrates that two more or less simultaneous influences shaped this process in Dutch museums. On the one hand, many Dutch museums were transformed from institutions of the local or national government into independent charities and forced to take greater responsibility for their own finances. On the other hand, the social exclusivity of the collections and presentations (dominated by white males) was questioned. The article describes how museums dealt with these challenges and their sometimes contradictory implications.


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