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Esthétique et politique dans le cinéma argentin

Albertina Carri et Lucía Puenzo : des histoires de familles

dc.contributor.authorMullaly, Laurence
dc.date.accessioned2023-08-14T10:11:59Z
dc.date.available2023-08-14T10:11:59Z
dc.date.issued2022
dc.identifierONIX_20230814_9782858926343_8
dc.identifier.issn741-1818
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/112637
dc.languageFrench
dc.languageSpanish
dc.relation.ispartofseriesPrimaLun@
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinemaen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropologyen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groupsen_US
dc.subject.otherFilm Studies
dc.subject.otherCultural studies
dc.subject.otherLatin American studies
dc.subject.otherLatinamerican cinema
dc.subject.otherArgentinean cinema
dc.subject.otherMemory studies
dc.subject.otherSociocriticism
dc.subject.otherGender studies
dc.subject.otherFeminist studies
dc.subject.otherQueer studies
dc.subject.otherPostcolonial studies
dc.subject.otherIntersectionality
dc.subject.otherCultural Memory
dc.subject.otherPolitics of memory
dc.subject.otherPostcolonial Feminism
dc.subject.otherCritical and Cultural theory
dc.subject.otherNew Argentinean cinema
dc.subject.otherPostdictatorial memory
dc.subject.otherHuman rights
dc.subject.othersexual rigths
dc.subject.otherLucía Puenzo
dc.titleEsthétique et politique dans le cinéma argentin
dc.title.alternativeAlbertina Carri et Lucía Puenzo : des histoires de familles
dc.typebook
oapen.abstract.otherlanguageAlbertina Carri and Lucía Puenzo belong to the same generation, that of the post-dictatorship era, which is also that of the New Argentine Cinema. However, their fictional films represent power relationships and the forms of violence that accompany them in radically different ways. Their h/Family Stories in the Plural are examined with an undisciplined methodology that draws on cultural, feminist and gender studies. The aesthetic and political stakes, and in particular the staging of gender, class, race and sexuality relations, are put into perspective through a contextualized study in order to shed light on the links between socio-cultural production, history and politics, but also on the negotiations operated by each filmmaker in order to position herself in a globalized cinematographic field.
oapen.identifier.doi10.46608/primaluna14.9782858926343
oapen.relation.isPublishedByca43151a-5af0-45f7-911f-f04a6f93c36e
oapen.relation.isbn9782858926343
oapen.relation.isbn9782858926350
oapen.imprintPôle Production Imprimé, Université Bordeaux Montaigne
oapen.series.number14
oapen.pages294
oapen.place.publicationPessac


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