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dc.contributor.authorghidini, maria candida
dc.contributor.authorIsakov, Alexander
dc.date.accessioned2023-08-05T04:02:59Z
dc.date.available2023-08-05T04:02:59Z
dc.date.issued2023
dc.date.submitted2023-08-03T15:09:27Z
dc.identifierONIX_20230803_9791221501223_168
dc.identifier2612-7679
dc.identifierhttps://library.oapen.org/handle/20.500.12657/74972
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/111694
dc.description.abstractDostoevsky’s Dialectic: The Name of the Father and the Saving Power of Childhood. The artistic experience of Dostoevsky’s novels combines two rather heterogeneous hermeneutic strategies – the analysis of the unconscious and of existential utopia. In the first case, Dostoevsky problematizes the completeness of the symbolic order of culture as such through the thematization of the figure and name of the Father. From the perspective of the second strategy, Dostoevsky creates his own utopia of a symbolic order, with the eternal substance of people’s life capable of infinite renewal in the child’s soul in the role of the great Other. His novels reveal what can be called the creative core of culture. The murder of Fyodor Karamazov is an archetypal event, a sacrifice of the Body of the Father for the sake of the NAME of the dead Father, it initiates a paradigmatic process in the Symbolic.
dc.languageRussian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.rightsopen access
dc.subject.otherDostoevsky
dc.subject.otherLacan
dc.subject.otherBody of the Father
dc.subject.otherFather’s Name
dc.subject.otherchildhood
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies
dc.titleChapter Диалектика Достоевского: имя Отца и спасительная сила детской жизни
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0122-3.10
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isPartOfBookФ.М. Достоевский: Юмор, парадоксальность, демонтаж
oapen.relation.isbn9791221501223
oapen.pages11
oapen.place.publicationFlorence
dc.seriesnumber52
dc.abstractotherlanguageDostoevsky’s Dialectic: The Name of the Father and the Saving Power of Childhood. The artistic experience of Dostoevsky’s novels combines two rather heterogeneous hermeneutic strategies – the analysis of the unconscious and of existential utopia. In the first case, Dostoevsky problematizes the completeness of the symbolic order of culture as such through the thematization of the figure and name of the Father. From the perspective of the second strategy, Dostoevsky creates his own utopia of a symbolic order, with the eternal substance of people’s life capable of infinite renewal in the child’s soul in the role of the great Other. His novels reveal what can be called the creative core of culture. The murder of Fyodor Karamazov is an archetypal event, a sacrifice of the Body of the Father for the sake of the NAME of the dead Father, it initiates a paradigmatic process in the Symbolic.


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