TY  - BOOK
ED  - Lehner, Michael
ED  - Meidhof, Nathalie
ED  - Miucci, Leonardo
ED  - Allenbach, Daniel
AB  - The goal of this volume is to examine and describe the manifold improvisational culture around 1800. Therefore, different viewpoints are brought together, the focus lies, besides traditional source analysis, on methods and approaches of historical performance practice und historically informed music theory. What were the different esthetical viewpoints on pianistic improvisation? What were the standard models and conventional designs of improvised piano music of that time? How was improvisation taught? How can the conflict between generic approaches and the ideal of unmistakable individuality of the performer be described? Therefore, a variety of sources is examined by the contributors to this volume: italian partimenti, composed music that is guided by improvisational thinking (like Fantasia and Capriccio) textbooks, teaching documents, concert reports etc.. Besides the outstanding significance of Beethoven as improviser (already noted and admired by his contemporaries), this anthology tries to give a fuller picture by sheding light on then well-known figures like Ciacomo Tritto, Carl Czerny, Joseph Preindl, Joseph Lipavsky, Justin Heinrich Knecht and others.
DO  - 10.26045/kp64-6176
ID  - OAPEN ID: ONIX_20200825_9783931264925_26
ID  - OAPEN ID: https://library.oapen.org/handle/20.500.12657/41456
KW  - improvisation
KW  - Beethoven
KW  - historical performance practice
KW  - music theory
KW  - musical analysis
L1  - https://library.oapen.org/bitstream/20.500.12657/41456/1/9783931264925.pdf
LA  - German
LK  - https://directory.doabooks.org/handle/20.500.12854/33694
PB  - Edition Argus
PP  - Schliengen
PY  - 2019
TI  - Das flüchtige Werk : Pianistische Improvisationen der Beethoven-Zeit
ER  - 
