TY  - CHAP
AU  - Mazierska, Ewa
AB  - A large proportion of artists considered in this study at some stage of their career  veered towards ‘serious’ or experimental music. This also refers to Peter Rehberg  and Christian Fennesz. However, they differ from those considered previously,  because unlike them, they did not cross the boundary between the popular and  academic now and then but made it their personal signature. Their music also  challenges our concept of electronic music, as well as studio and stage and even  music and non-music. To contextualise their work, it is worth locating it first  against the concept of ‘noise music’ or rather ‘noise as music’.
ID  - OAPEN ID: 1001563
ID  - OAPEN ID: OCN: 1076719619
ID  - OAPEN ID: http://library.oapen.org/handle/20.500.12657/28399
KW  - Electronica
KW  - Musica
KW  - Austria
KW  - Vienna
KW  - History
KW  - Criticism
KW  - Popular music
KW  - Social aspects
KW  - Electronica
KW  - Musica
KW  - Austria
KW  - Vienna
KW  - History
KW  - Criticism
KW  - Popular music
KW  - Social aspects
KW  - Fennesz
KW  - Mego (label)
KW  - Peter Rehberg
KW  - Techno
L1  - https://library.oapen.org/bitstream/20.500.12657/28399/1/9781138713918_oachapter8.pdf
L1  - https://library.oapen.org/bitstream/20.500.12657/28399/1/9781138713918_oachapter8.pdf
L1  - https://library.oapen.org/bitstream/20.500.12657/28399/1/9781138713918_oachapter8.pdf
LA  - English
LK  - https://directory.doabooks.org/handle/20.500.12854/28552
PB  - Taylor & Francis
PY  - 2018
SN  - 9781315230627
TI  - Chapter 8 Peter Rehberg, Christian Fennesz and the Label Mego : Between Glitch and Bécs
ER  - 
