TY  - BOOK
AU  - Tammen, Björn Renko
AU  - Rausch, Alexander
AB  - With famous music manuscripts such as the St Emmeram codex or the Trent codices and the rise of a musical elite with singer-composers around Dufay and Binchois, the years around 1430 belong to a crucial period in late-medieval music history. The present volume comprises 13 case studies on polyphonic as well as monophonic repertories with a particular focus on the city of Vienna. For the first time, the ‘simultaneity’ of ‘non-simultaneous’ phenomena is scrutinized for Central Europe and for the cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy.Due to its specific urban profile and the geographical position, late-medieval Vienna offers an excellent starting point for the study of musical repertories in Central Europe and their appropriation as cultural practice in the first half of the fifteenth century. The ‘simultaneity’ of ‘non-simultaneous’ phenomena is closely connected to the coexistence of different patterns of music patronage within court and nobility, the university, a variety of ecclesiastical institutions (among them the collegiate church of All Saints, later St Stephen’s Cathedral), and diverse strands of upper- and middle-class citizens on the one hand, cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy on the other. Manifold strands of polyphonic and monophonic repertories (both sacred and profane), compositional techniques, regionally bound stylistic peculiarities, strategems of music patronage, institutional (or even personal) collectionism, furthermore aspects of music iconography and the role of music within the history of ideas are scrutinized in thirteen chapters, which are conceived as case-studies, plus a detailed thematical introduction. In sum, this is an invaluable contribution to a better understanding of a crucial period of late-medieval music history.
AB  - Mit berühmten Repertoire-Handschriften wie dem Mensuralcodex St. Emmeram oder den Trienter Codices und der Entstehung einer musikalischen Elite um Sängerkomponisten wie Dufay und Binchois gehören die Jahrzehnte um 1430 zu einer Schlüsselphase der abendländischen Musikgeschichte. Der Band vereint 13 Fallstudien zur polyphonen Kunstmusik sowie zum einstimmigen Lied, wobei ein besonderer Fokus auf den Verhältnissen in Wien liegt. Erstmals wird so die Gleichzeitigkeit ungleichzeitiger Phänomene für Zentraleuropa beleuchtet – auch hinsichtlich der Wechselwirkungen mit England, Böhmen, Oberitalien und dem franko-flämischen Raum.
DO  - 10.26530/oapen_512255
ID  - OAPEN ID: 512255
ID  - OAPEN ID: OCN: 960756863
ID  - OAPEN ID: http://library.oapen.org/handle/20.500.12657/33287
KW  - Music history
KW  - Late Middle Ages
KW  - musical repertories
KW  - music patronage
KW  - ritual
KW  - identity
KW  - awareness of time
KW  - Trent codices
KW  - Hermann Poetzlinger
KW  - mensural codex St. Emmeram
KW  - England
KW  - John Dunstaple
KW  - Guillaume Dufay
KW  - Gilles Binchois
KW  - Central Europe
KW  - Vienna
KW  - Hermann Edlerawer
KW  - Urbanus Kungsperger
KW  - Johannes Brassart
KW  - Johannes de Sarto
KW  - Frederick III (IV) of Habsburg
KW  - Albert II (V) of Habsburg
KW  - Rudolf Volkhardt
KW  - Petrus Wilhelmi de Grudencz
KW  - Bohemia
KW  - Veneto
KW  - motet
KW  - devotional motet
KW  - genre transformation
KW  - Marian devotions
KW  - musical iconography
KW  - chapel
KW  - Sangvers
KW  - Oswald von Wolkenstein
KW  - Hugo von Montfort
KW  - Michel Beheim
KW  - Heinrich der Teichner
KW  - Peter Suchenwirt
KW  - Monk of Salzburg
KW  - Liebhard Eghenvelder
KW  - Neidhart (Nithart)
KW  - Austrian National Library
KW  - University of Vienna
KW  - Council of Constance
KW  - Council of Basle
KW  - Nibelungenlied
KW  - Johannes Lupi
KW  - Johannes Wiser
KW  - Johannes Prenner
KW  - Regensburg
KW  - St Stephen
KW  - St Martin
KW  - Jan Hus
KW  - isorhythmic motet
KW  - Ghent altarpiece
KW  - Jan van Eyck
KW  - Hubert van Eyck
KW  - Musikgeschichte
KW  - Polyphony
L1  - https://library.oapen.org/bitstream/20.500.12657/33287/1/512255.pdf
L1  - https://library.oapen.org/bitstream/20.500.12657/33287/1/512255.pdf
L1  - https://library.oapen.org/bitstream/20.500.12657/33287/1/512255.pdf
L1  - https://library.oapen.org/bitstream/20.500.12657/33287/1/512255.pdf
L1  - https://library.oapen.org/bitstream/20.500.12657/33287/1/512255.pdf
L1  - https://library.oapen.org/bitstream/20.500.12657/33287/1/512255.pdf
LA  - English
LA  - German
LK  - https://directory.doabooks.org/handle/20.500.12854/36994
PY  - 2014
SN  - 9783205795629
TI  - Musikalische Repertoires in Zentraleuropa (1420-1450) : Prozesse & Praktiken
ER  - 
